RED is showcasing the all-new V-RAPTOR [X] and V-RAPTOR XL [X] cameras at the 2024 NAB show


N

[NR] admin

Guest


At the 2024 NAB show that started today, RED is showcasing the all-new V-RAPTOR [X] and V-RAPTOR XL [X] cameras. Both models were recently launched and are the industry’s first large-format cinema cameras featuring a global shutter – additional information is available here.

The new marketing message is also clear – Nikon, MRMC, and RED will be kept as separate brands:

RED, @NIKONUSA, and @mrmoco1 are integrating strengths for the first time at @NABShow. Visit us at #NABShow 2024. (Central Hall C4925; Central Lobby Booth L2) pic.twitter.com/nG78x789YB

— RED Digital Cinema (@RED_Cinema) April 14, 2024


RED and Nikon have joined forces, marking a significant milestone in digital cinema, filmmaking, and content creation.

Together, with the Nikon, @RED_cinema, & @mrmoco1 families, we’ll continue to push the boundaries of innovation and creativity. pic.twitter.com/GX2rnV9gvZ

— NikonUSA (@NikonUSA) April 12, 2024


Additional information on the new V-RAPTOR [X] and V-RAPTOR XL [X] cameras:


RED V-RAPTOR [X]​




The RED Digital V-RAPTOR [X] is a large format camera with an integrated global shutter and 8K VV image sensor. Familiar features from its predecessor include two 12G-SDI ports, a Canon RF lens mount, and a CFexpress Type B media slot for recording of up to 800 Mb/s of content up to 8K 120p. Updated audio pre-amps and a redesigned sensor cavity improve audio and video performance. A new host of global shutter sensor tools are enabled via RED’s Global Vision. Global Vision enhances your highlights for more detail in HDR finishes with the ability to soften roll-off for SDR applications. Phantom Track streamlines virtual production by recording at 120 fps and splitting the signal to show the green-screen effect to support your talent’s reactions and the actual green screen and motion markers for your visual effects team’s use. This works in tandem with GhostFrame or Frame Remapping, allowing you to capture distinct R3D clips per sub-frame and monitor live over each SDI port.

  • Global Shutter Full-Frame VV Sensor
  • Lightweight & Compact DSMC3 Design
  • Locking Canon RF Lens Mount
  • Global Vision with Extended Highlights
  • Phantom Track for Ghost Frame, Remapping
  • Supports up to 8K120, 800 MB/s Video
  • 17+ Stops of Dynamic Range
  • Right-Side Assistant’s User Interface
  • REDCODE Raw HQ, MQ & LQ Options
  • USB-C & Dual 12G-SDI Ports

RED V-RAPTOR XL [X]​




The V-RAPTOR XL [X] places the same features of the [X] into a large-scale, production-ready camera body. This means dual-voltage battery support, built-in electronic ND filters, auxiliary power outputs, and front-facing 3G-SDI and 2-pin power connectors for camera monitor integration. Wireless timecode, Genlock, and camera control, along with four SDI outputs, make it easier for DITs to pull footage off the camera for dailies and file intake.

  • Full-Frame, Global Shutter CMOS
  • Purpose-Built Unified Body
  • Global Vision with Extended Highlights
  • Phantom Track for Ghost Frame, Remapping
  • Interchangeable PL Mount Included
  • Supports up to 8K120, 800 MB/s Video
  • 17+ Stops of Dynamic Range
  • Industry-Standard Input/Output Array
  • Integrated Electronic ND Filters
  • Powerful & Versatile 12/24V Outputs



The post RED is showcasing the all-new V-RAPTOR [X] and V-RAPTOR XL [X] cameras at the 2024 NAB show appeared first on Nikon Rumors.


Related posts:

  1. Lessons from Africa
  2. New AstrHori 25mm f/2.8 2x-5x full-frame macro lens for Nikon Z-mount
  3. Nikon completes acquisition of RED, appoints a new CEO

Continue reading...
 

Top